world 1485

Dream      1909

Drawing      world 1485

Dreamer     Sigmund Freud's Patient

The Burning Child

Father, don’t you see I’m burning?

… a father had a dream that his child was standing beside his bed, caught him by the arm and whispered to him reproachfully:

Father, don’t you see I’m burning?

He woke up, noticed a bright glare of light from the next room, hurried into it and found that the wrappings and one of the arms of his beloved child’s dead body had been burned by a lighted candle that had fallen on him.

The explanation of this moving dream is simple enough. But we may still wonder why it was that a dream occurred at all in such circumstances, when the most rapid possible awakening was called for. And here we shall observe that this dream, too, contained the fulfillment of a wish. The dead child behaved in the dream like a living one: he himself warned his father, came to his bed, and caught him by the arm, just as he had probably done on an occasion in his life… For the sake of the fulfillment of this wish the father prolonged his sleep by one moment. If the father had woken up first and then made the inference that led him to go into the next room, he would, as it were, have shortened his child’s life by that moment of time…

If we eliminate the wish-fulfillment, we shall see that only one feature is left to distinguish the two forms of psychical event. The dream-thought would have run: ‘I see a glare coming from the room where the dead body is lying. Perhaps a candle has fallen over and my child may be burning.’ The dream repeated these reflections unaltered, but it represented them in a situation which was actually present and which could be perceived through the senses like a waking experience. Here we have the most general and the most striking psychological characteristic of the process of dreaming: a thought, and as a rule a thought of something that is wished, is objectified in the dream, is represented as a scene, or, as it seems to us, is experienced… Thus dreams make use of the present tense in the same manner and by the same right as daydreams. The present tense is the one in which wishes are represented as fulfilled.

~Interpretation of Dreams, 1899

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Dream of the Drawing for Everything alchemies dream-like things: images and texts and films and sketches and philosophy and half-thoughts and visions and moments and fragments of all kinds. Resting and exploring here may deepen your relationship with the oneiric and, therefore, all apparent reality. Resting and exploring here may augment your psyche’s healing tendency—as Jung called it—through highlighting and delighting in humanity’s hallucinatory creations. (Without them, after all, neurologists assure us we would go starkers.) It is time there was a potentially infinite, intimate museum to what cannot be seen. Welcome to the museum.

Dream of the Drawing for Everything is some of the collaboration between artist Nuala Clarke & writer Crystal Gandrud. Our work arises out of what dances on the edges of perception and our collective attention gravitates to the dream-like nature of human experience. We have been in collaboration since 2010. Our merged practices of visual and textual art unfold on a continuum, as part of an interconnected series evolving over time. Both performed “Fair Shouldered One” (a book which is not a book) at the &Now Literary Festival in Paris, 2012 and installed “Between Spaces”, a Yeats inspired dreamscape at the Hamilton Gallery, Sligo, 2013. Most recently participated in the Find Arts Project in Castlebar, Ireland. Our public art installation of words and images printed on linen, “Woven Found”, hung on Castle Street. The project won the best commissioning practice award from Allianz Business to Arts, 2014.

Nuala Clarke

Nuala Clarke, visual artist, lives and works between Co. Mayo and New York City. Educated at the National College of Art and Design in Dublin, she moved to New York City in 1993. In September 2007, she received a fellowship to the Ballinglen Arts Foundation, Mayo and began returning to Ireland from NY to work every year. Clarke has been represented by Boltax Gallery, NY since 2005. Recent shows include, Amid a Space Between: Irish Artists in America at the SFMoMa Artists Gallery, San Francisco, (2012); to Tremble into Stillness, a WB Yeats related show at Hamilton Gallery, Sligo; RHA invited artist; and A drawing for Everything, Ballinglen Arts Foundation (2013). BLINK, a public art installation at the Westport Arts Festival, Co. Mayo (2014). Upcoming shows (2015): Impressions of Yeats, Hamilton Gallery, Sligo; Of this place, Sligo and Madrid.

nualaclarke@gmail.com

Crystal Gandrud

Crystal Gandrud, writer, lives in New York City and Normandy, France. She holds an MFA, Creative Writing and a BFA, Classical Theatre. Recent publications include “Yeatsian: Numberless Dreamers,” The Encyclopedia Project, 2014, “Here,” Lost Magazine, and “Idiom: Woodbird Flies Early,” The Encyclopedia Project. Her dissertation, “Murdoch: the Mandala Maker,” was presented at Kingston University’s Iris Murdoch Conference (2006), London. At the most recent Murdoch Conference, she performed a multi-media excerpt from a work-in-progress entitled “The Forgotten Man,” inspired by Murdoch’s philosophical writings. She is under contract for a memoire entitled “Astonishment: A Litany of the Uncanny.”

gandrud@actuallyorange.com

Tell us your dreams. Dreams are accepted by the editorial staff on the basis of aesthetics. That said, there are certain topics that will not be considered. Extremely violent or pornographic dreams will not be accepted on any basis so please do not submit them.

All dreams must have three components:

1) a title

2) a number of no more than 20 characters (subject to a request to reconsider if that number is already used)

3) your name as you wish it to appear

Dreams may be any length.

Please submit dreams in an attached word document only. If you, as the dreamer, are also a visual artist, you are invited to send one companion image in the form of an attached jpeg of a file size of no larger than 250k (no compressed files). If you are not a visual artist but feel a drawing you have done of the dream deepens the experience of it, please follow the guidelines for submission of an image above. In both cases, please specify if you are willing to publish the text without the image.

info@actuallyorange.com